Aerial view of the St. Louis riverfront after demolition for the Jefferson National Expansion Memorial (Gateway Arch), c. 1942. National Park Service, Gateway Arch National Park, V106-4838. Open in ...

Joseph Jones (American, 1909–1963), Landscape, 1932. Oil on canvas, 40 x 32 1/8 in. Gift of the Estate of Mrs. Ernest W. Stix, 1970 Whereas Davis wove together disparate elements in his paintings to ...

The Kemper Art Museum is free and open to the public. Learn about scheduling a tour, our galleries and sculpture garden, accessibility, facilities, and the Art on Campus program. Free and open to the ...

go to "When I'm 64": Artists in Their Later Years page ...

Fernand Léger’s Les belles cyclistes (The Women Cyclists) depicts a group of four physically powerful women dressed in shorts and T-shirts at rest during a bicycle outing. The women stand or sit ...

As part of the opening celebrations for Design Agendas: Modern Architecture in St. Louis, 1930s – 1970s, co-curators Eric P. Mumford and Michael E. Willis, will be in conversation with Sabine Eckmann, ...

Why do artists sometimes label their works "Untitled"? In this video Student Educator Lingran Zhang explores how the title of Untitled (Colored People Grid) by Carrie Mae Weems relates to the meaning ...

Thomas Cole (American, b. England, 1801–1848), Aqueduct near Rome, 1832. Oil on canvas, 44 1/2 x 67 5/16 in. University purchase, Bixby Fund, by exchange, 1987 ...