As we bid him farewell, we do not despair. As Revelation 14:13 declares, “Blessed are the dead who die in the Lord… for their deeds follow them.” John MacArthur has entered his eternal reward. His ...

A polemical banner towards those who continue to regret Gianpiero Gasperini, passed to the Roma after nine years of Atalanta, ...

Because if the United Nations cannot distinguish between war and genocide, between a democracy under fire and a death cult in ...

Matt Carmichael, a teacher at New College Sixth Form College Pontefract has been crowned National Champion in the ‘All School ...

Through an Elysée statement, French President Emmanuel Macron paid tribute to the memory of Thierry Ardisson, calling him the ...

Beldon Haigh intervenes with an inferno of honesty on his newest effort, “Dumpster Fire”. From its opening line, the song not only hits the ground running, it kicks it straight into oblivion with a ...

Sometime after the Long Parliament met in November 1640, a seamstress living in London called Katherine Chidley decided that ...

Guru Dutt cuts to the chase early on in Pyaasa. He opens the film, about a brilliant but unsuccessful poet, with a verse “Ye ...

Pleasing both anti-maskers and progressives at various points, the film is easily the most ambitious and fearless on-screen ...

Did Nashe resent the “upstart crow” for having the gall to revise his work, assuming, as has been suggested, that Shakespeare ...

With The Gleaners and I, Agnès Varda was liberated by her digital camera to produce a more intimate form of documentary essay, marked by a deft political approach and a remarkable lightness of touch.