“The Beguiled” is an interesting film that should not be mistaken for a good film, though it probably will be. Unlike some routine release, it is guided by a particular and distinct vision and ...

The women of 'The Beguiled,' standing from left, Addison Riecke, Elle Fanning, Emma Howard and Angourie Rice; sitting from left, Kirsten Dunst, director Sofia Coppola, Oona Laurence and Nicole Kidman.

“The Beguiled” runs for ninety-four minutes, and even those feel like a stretch. As with Coppola’s début, “The Virgin Suicides” (1999), character is swallowed up in mood.

Longtime collaborators Kirsten Dunst and Sofia Coppola are reportedly teaming up for another movie soon. The pair's most ...

Review: ‘The Beguiled’ Kirsten Dunst, Colin Farrell, Nicole Kidman star in Sofia Coppola remake of the gothic Civil War-era drama ...

Sofia Coppola’s “The Beguiled” harks back to the filmmaker’s previous movies, as a dreamy psychological study that unfolds in an insular, largely female world. Within a vivid historical ...

Virginia, 1863. The Civil War is underway and America is a nation divided in more ways than North versus South or abolition versus slavery. A country in the midst of a war also means the men are away ...

Farrell, who had never worked with Coppola before “The Beguiled” but was a longtime fan of her work, describes it as “emotional dislocation.” “She’s a master of mood,” the actor says.

"The Beguiled" Ben Rothstein / Focus Features The women in "The Beguiled," whose ages range from 12 to their 40s, have their sheltered lives disrupted when they take in an injured enemy soldier.