资讯
The baritone Christian Gerhaher, left, and the pianist Gerold Huber practice in Munich in 2018. They have released a new recording of almost all Schumann’s songs. Daniel Etter for The New York Times ...
Robert Schumann's art song cycle, Frauenliebe und Leben (Woman's Love and Life), Op 42, brought the recital to an end.
Robert Schumann thought of his fourth symphony as a symphonic fantasy, not a classical symphony. He wanted all four movements to be performed without pauses to focus on the work as a whole -- and ...
UNLIKE SCHUMANN’S CONCERTO, Price’s symphony is not making its Carnegie Hall debut. But it has been performed there only once before — by the Gateways Music Festival Orchestra this year.
In 1840 appeared the first number of Schumann’s “ Myrthen,” whose dedication, Seiner geliebten Braut, breaks forth in the passionate and beautiful song, — “ Thou my soul, O thou my heart!
Joachim, his friend Brahms, and Schumann’s wife Clara — the three musicians most inclined to look favorably on anything the composer undertook — gave one another embarrassed glances (here I ...
Take a look at Schumann's 78-key piano, a new invention at the time, and then listen to Dr. Richard Kogan, violinist Scott Yoo and more perform Schumann's piano quintet.
These charming miniatures sounding overparted snatched from domestic service and pressed into public performance.
In Schumann's case, it was a sign of both. Wow. ♪♪ Fortunately, there's a piano in the library's main hall because Richard is the only psychiatrist in the world who's a Schumann expert and a ...
Schumann's Piano Quintet in E flat was the first quintet of it's kind, written for string quartet and piano. In this performance, Martha Argerich and Friends perform the Scherzo from Schumann's ...
Schliessmann treats Schumann’s later works with deepest respect; they are no oddities or the result of mental illness, but intensely personal statements in their own right. The later Fantasiestücke ...
On the May 23, the renowned Trio Wanderer from France staged a concert at the Beijing Concert Hall, delivering a performance that beautifully blended German-Austrian classics with French romanticism.
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