"In fact, the issue was not only Repin's nationality and identity, but also the fact that this painting is a landscape from ...

画家艺术简介： 伊里亚·叶菲莫维奇·列宾（ИльЯ ЕфИМОВИЧ РеПИН 1844—1930）是俄国19世纪后期到20世纪上半期最伟大的批判现实主义画家，他以其无比丰富的创作和卓越的表现技巧，把俄罗斯现实主义绘画艺术发展到高峰。1844年，列宾出生在俄罗斯哈尔科夫省的楚古耶夫镇。其父是一个屯垦 ...

A viewer tries her hand at oil painting in an experience area at the ongoing exhibition titled Ilya Repin Encyclopedia of ...

Repin finished the portrait in just four days and right in the hospital ward, realizing that his old friend was "on the threshold of eternity." 6. Portrait of Pavel Tretyakov (1883) ...

Repin often visited Leo Tolstoy at his house in Khamovniki in Moscow. For a long time, however, he didn't make a portrait of the writer, instead merely observing him and constructing a mental image.

Repin was also a regular at diplomatic parties at London embassies and he joined the Young Diplomats of London, a networking organisation for diplomats new to the Capital.

One of Repin's many talents is his ability to distinguish one composer and one era from another. And so, Schubert didn't sound anything like Bartok, even at his most romantic moments.

Svetlana Zakharova performs in La Ronde des Lutins, the closing piece in her show Pas de deux for Toes and Fingers, wiht husband Vadim Repin, at the Hong Kong Arts Festival.

Violnist Vadim Repin goes to town on the Franz Schubert song "Der Erlkonig", courtesy of a virtuoso arrangement by Heinrich Wilhelm Ernst (1814-1865). (Erato 25487) 5:00Visit our Web feature on ...

Vadim Repin and Maxim Vengerov, close contemporaries, studied with the same teacher in their home town of Novosibirsk. But in the firmament of fiddlers they are like sun and moon, with Vengerov ...